• When: May 14, 2017 - May 25, 2017
  • Where: Autzen Gallery, Neuberger Hall 2nd floor, 724 SW Harrison St, Portland OR 97201
  • Details:

    Megan Hanley
    Eternal Becoming
    MFA Graduate Project Exhibition

    May 15-25, 2017

    Reception: Wednesday, May 17, 5-7pm
    Gallery Talk: Wednesday, May 24, 6pm

    Autzen Gallery

    Neuberger Hall, 2nd floor
    724 SW Harrison St
    Portland OR 97201

    Gallery Hours: Monday-Friday, 10am-5pm

    Free and open to the public

    The School of Art + Design at Portland State University is pleased to present Eternal Becoming, an exhibition by Megan Hanley that investigates humanity’s connection to the larger ecosystem through the ritual and biological processes of death. As a research-based artist working in drawing, Hanley builds up layers of charcoal to obscure and heighten the illusion of depth in a series of life-size drawings of tombs filled with plants. When confronted with the scale and orientation of seeing the graves on the wall instead of on the ground the drawings elicit a visceral reaction in which the viewer relates their own body to the looming grave.

    In the summer of 2016, Hanley received the Mary Ausplund Tooze Scholar Travel Award to participate in a three-week dig with the Sanisera Archaeology Institute in Menorca, Spain. While excavating a necropolis of approximately 1500-year-old Roman graves, Hanley worked lying on hard stone with her arm deep in a tomb. Caked in dirt and microscopic bone dust, she experienced a feeling of close connection to the land and the ancient people she was uncovering. Back in the studio, she created drawings of the graves from an aerial perspective, using ink, ash, dirt from the dig, and charcoal, in which plants began to take over the disturbed earth post-excavation. Similar to the archaeological dig, her whole body is part of the process; lying on the ground she excavates the drawings by erasing layers of charcoal and brushing away dust.

    Hanley is interested in the ways in which humans have interacted with the land throughout history, specifically in acts of continual entombment and upheaval that mirror biological and geologic processes. The drawings of the graves that Hanley created highlight the florae with a draughtsman’s attention to detail to emphasize the role of humans as part of a greater ecosystem that through death allow the body to transition from one that consumes to one that provides nourishment.


    Megan Hanley (b. 1986 Hartford, CT) is an artist who lives and works in Portland, Oregon. She creates art to continue a dialogue around the theory of posthumanism and the physical processes of biology and geology. By creating drawings utilizing natural materials from sites of investigation she urges us to consider that humans are part of a complex ecosystem, equal to bacteria, minerals, plants, and animals. In the summer of 2016, Hanley took part in a backpacking residency with Signal Fire in the Siskiyou Mountain region of Northern California, and a three-week dig with the Sanisera Archaeology Institute on the island of Menorca, Spain. Her work has been selected for juried exhibitions at Gallery 263 in Cambridge, MA, the Nightingale Gallery at Eastern Oregon University, La Grande, OR and the Littman Gallery at Portland State University, Portland, OR. Hanley received a BFA in Art Education from the School of the Museum of Fine Arts, Boston in 2008 and will receive an MFA in Contemporary Art Practice from Portland State University in 2017.